Ukrainian Freedom Orchestra/Wilson review – white-hot intensity as Verdi Reqiuem shakes St Paul’s vast dome

Summary

St Paul’s Cathedral, London Elemental roars and full-frontal vocal expressivity as the UFO focuses on a mission bigger than a good performance There were climaxes in Verdi’s Requiem that would surely have registered on a seismometer as they gathered into a thrillingly elemental roar before dissipating as a series of echoed convulsions into the vast dome above. There were choral susurrations that swept over the orchestra, exhortations delivered in crisp consonants. There were sinuous woodwind lines that took a few seconds to wend their way out of the orchestral clamour, and vocal soloists – Natalya Romaniw, Natalie Lewis, René Barbera and Jongmin Park – who cut instantly through it in a shock of full-frontal expressivity from the very front of the stage. Four years after making their UK debut with their second ever performance , the Ukrainian Freedom Orchestra is now on its fifth international summer tour. Founded by Canadian-Ukrainian conductor Keri-Lynn Wilson in response to the Russian invasion in February 2022, this orchestra has always had a mission bigger than producing a good performance. And what counts as “good” is always shaped by circumstance, after all. As the numerous speeches that preceded the music stressed, the UFO tour as “cultural ambassadors”, their work centred on hope and resilience, solidarity and justice at what one Ukrainian diplomat called “probably the most difficult moment in our modern history”. One of the orchestra’s percussionists is away at the frontline – so too is the son of composer Bohdana Frolyak , whose Gloria opened the concert, its smudgy chromaticism weighted with sadness. Continue reading...

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